Monday, November 28, 2016

The Sublime Genius of Noelani Pantastico

Pacific Northwest Ballet principal dancer Noelani Pantastico as Dewdrop
in George Balanchine's "The Nutcracker." photo by Angela Sterling
I mean no disrespect to my colleagues at The Stranger, but Pacific Northwest Ballet principal dancer Noelani Pantastico deserved to win your 2016 Genius Award for performance. Is she the edgy type of artist who usually gets your attention? Well, no. But she’s a performer who can infuse even the most pedestrian of roles with real grace and authenticity.

Take, for example, her turn as Dewdrop in PNB’s opening night performance of George Balanchine’s “The Nutcracker.”

For those of you who haven’t seen this particular version of the holiday classic, Dewdrop comes in to lead a bevy of Flowers in the lyrical Waltz of the Flowers. In PNB's production, Dewdrop wears a bright green tutu to contrast with the marigolds behind her onstage. The role requires technical ability, stamina and a twinkly presence on stage.
Dewdrop Noelani Pantastico and her bevy of Flowers
photo by Angela Sterling

Pantastico delivered those in spades, but more than that, she put her emphatic personal stamp on Dewdrop. This seasoned performer managed to isolate particular gestures; to my eye they appeared almost in syncopation to the Tchaikovsky score. I marveled at her ability to embody both the music and the character in ways that transcended the traditional performance. Pantastico wasn’t performing the role of Dewdrop; she was Dewdrop.

That shouldn’t have felt so remarkable.

If you haven’t seen Pantastico in Jean Christophe Maillot’s “Romeo et Juliette,” get thee to McCaw Hall the next time PNB presents this great ballet. When the company premiered the work in 2008, Pantastico and retired PNB principal dancer Carla Korbes were set to alternate in the role of Juliette. Korbes injured herself, so Pantastico danced all 8 performances. She was so amazing that Maillot stole her away from Seattle to dance for his Ballets de Monte Carlo. She returned last autumn to finish her career at PNB.
Noelani Pantastico and James Moore in Jean Christophe Maillot's "Romeo et Juliette"
photo by Angela Sterling

Pantastico probably danced Juliette dozens of times during her tenure with Maillot, but when she and PNB Romeo James Moore performed the tragic story last winter in Seattle, they electrified the audience. Truly, we were on the edge of our seats. Those star-crossed lovers had chemistry and heat!

In February, PNB debuts Maillot’s version of Cinderella, “Cendrillon.” While the story doesn’t carry the dramatic heft of a Shakespearean tragedy, I hope Pantastico will be featured in a dance she no doubt performed during her tenure with its choreographer.

Noelani Pantastico and former PNB principal dancer Lucien Postelwaite as "Romeo et Juliette", 2008
photo by Angela Sterling


But you don’t have to wait until next year to see Pantastico shine onstage. She’s scheduled to perform the role of Sugar Plum Fairy with James Moore as her Cavalier this Saturday evening, December 3rd, at McCaw Hall. Surely they can’t be as steamy in a G-rated ballet as they were onstage in “Romeo et Juliette.”  Or can they? 

Monday, November 21, 2016

Need a little holiday cheer?

Kurt Beattie as Ebeneezer Scrooge in ACT's "A Christmas Carol"
photo courtesy ACT Theatre
Thanksgiving arrives this week, and along with the turkey and carbo-overload, get ready for more holiday-themed art than you can digest.

Seattle's biggest productions: "ACT's 'A Christmas Carol," and "The Nutcracker" at Pacific Northwest Ballet, will draw the usual large crowds hungry for tradition and a little holiday cheer. No matter how many times I see Charles Dickens' tale about the spiritual conversion of Ebeneezer Scrooge, I always leave the theater full of hope that virtue trumps petty greed and hate every time. I'm in need of that reminder this year.

Pacific Northwest Ballet dancers in George Balanchine's "The Nutcracker"
photo by Angela Sterling

Across town from ACT, PNB presents the second edition of its new production of "George Balanchine's 'The Nutcracker.'" (Yes, that's the official title, including a trademark!). The show is lavish, sweet, and the opening video is great. I'm partial to the snowflake tiaras, part of designer Ian Falconer's colorful, fanciful vision for this classic ballet.

Nutcrackers of all genres abound every year; I counted more than 15 versions in the central Puget Sound region. No doubt I overlooked one or two. If you're restless for something slightly different, you might want to check out "Land of the Sweets: The Burlesque Nutcracker," presented at Seattle's Triple Door by Lily Verlaine and Jasper McCann.
Who wouldn't want to see Wade Madsen in the role of God in "Buttcracker?"
photo courtesy Luna Photo/Karen Garrett de Luna

The folks who brought you the original Buttrock Suites have their own twisted take on Nutcracker; Diana Cardiff, Sara Jinks and their pals have created "Buttcracker," featuring the music of a bevy of 80's and 90's rockers. This mashup of tutus and Journey is most definitely NOT PG, so leave your children at home. Or, get them tickets to the strictly sweet PNB version of the holiday classic.
Buttcracker cast members
photo by Luna Photo/Karen Garrett de Luna

Finally, seeing as it's Thanksgiving week, I want to give some public thanks for all the artists in this community and beyond. Your courage and vision bring me solace when I grieve, laughter when I weep, and beauty in these uncertain times. Much love and happy holidays to you all.